Canadian dancers and choreographers are making names for themselves at home and abroad. Here are 11 Canadian women of colour moving the needle in dance.
Canada has produced a number of dancers and choreographers who are making contributions to arts and entertainment, whether in the limelight or in the background, including Luther Brown, Tre Armstrong, Sean Cheesman, Hollywood Jade, and many more.
In the latest installment of SHIFTER and the National Arts Centre‘s Innovators & Icons series, where we celebrate Canadian women of colour in live performance, we take look at Canadian women of colour leading the charge in dance, including dancers, choreographers, teachers/educators, and artistic directors.
Here are 11 Canadian women of colour moving the needle in dance.
Click “Next” to scroll through and learn more about these women.
MOHOGANY BROWN | Dancer and choreographer
City: Toronto
Instagram: @_mohoganyxo
Previous work: Drake, Fame Holiday, Anne Maria, PanAm/ParaPanAm games‘ opening and closing ceremonies, 2018 MMVA’s, Toronto Raptors’ Official North Side Crew, “6ix Trix” Toronto Raptors Tumbling team
Mohogany Brown‘s lifelong love affair with dance ignited the moment she took her first steps. Her unwavering passion and dedication have driven her to master a multitude of dance styles, from the grace of Ballet to the energy of Hip-Hop, and everything in between—Jazz, Contemporary, Tap, Acro, Dancehall, Samba, Heels, and more. Mohogany’s commitment to continual learning is a testament to her devotion to the diverse world of dance, embracing its myriad styles, cultures, and nuances.
After an enriching journey in competitive dance, Mohogany now thrives in the professional dance industry. Her remarkable talents have graced stages in Canada, the United States, and overseas destinations like Jamaica and Turks & Caicos. Collaborating with esteemed dancers and choreographers, including luminaries like Fame Holiday, Anne Maria, and Drake, has been a defining aspect of her journey.
A staple in Toronto’s dance scene, Mohogany‘s dance credits encompass prestigious events such as the PanAm/ParaPanAm games‘ opening and closing ceremonies, the 2018 MMVA’s, music videos, international resorts, and much more. She has also taken center stage as a lead choreographer for featured shows at Canada’s Wonderland. Mohogany‘s dynamic presence can even be witnessed on the court, where she dances as part of The Toronto Raptors’ Official North Side Crew and leads as the choreographer for the exciting “6ix Trix” Toronto Raptors Tumbling team.
When Mohogany isn’t getting fans hype at Scotiabank Arena, she’s serving as the assistant director and teacher at Denise Lester Dance Academy.
Gratitude is the hallmark of Mohogany‘s dance career, as she reflects on the countless opportunities that have come her way over the years. Her excitement to share her boundless passion and love for dance with others is an inspiration to all who have the privilege of witnessing her artistry.
More about Mohogany Brown
What is your biggest professional achievement?
“There’s been many unforgettable moments in my career that I’m grateful for, but I would say one of my biggest achievements so far has been joining the dance team for the Toronto Raptors for my fourth season.”
What obstacles/challenges have you had to face to get to where you are today?
“Like a lot of people, life comes with many obstacles and challenges. I would say my biggest challenge in the dance world was growing up in a culture of dance that didn’t show a lot of diversity. There weren’t a lot of dancers who ‘looked like Me’ so it was always tough trying to break through that barrier and showing that not all dancers need to look the same, or have the same hair, body type, flexibility, strength, etc. But despite that, it’s taught me a lot and I’m grateful to be an example for the next generation of dancers to come.”
What’s something people should know about you?
“I’d love for people to know that I’m genuinely a loving person. I try my best to make sure everyone around me is happy and feels loved and I hope that’s something people take away from me when they meet me.”
MING-BO LAM | Multi-disciplinary creative, educator and dance artist
City: Vancouver Island/Toronto
Instagram: @love.mingbo
Previous work: Toronto Raptors, NBA All Star Weekend, Nike Canada, Sheridan College, Toronto Metropolitan University
Ming-Bo Lam (she/her) is a versatile creative force, educator, and dance artisan, carving a distinct lane through the diverse terrain of Canadian contemporary dance.
With a wealth of over 15 years’ involvement in the field, Ming-Bo is celebrated for her capacity to guide with unyielding empathy, authenticity, and bravery.
In an ever-blossoming career, Ming-Bo has lent her choreographic expertise to theatrical and cinematic ventures, independent dance endeavors, and commissioned works. Noteworthy credits encompass the Much Music Video Awards, the Toronto Raptors’ Dance Pak, The Umbrella Academy, Sogand, PSY, Fashion Art Toronto, and the NBA All Star Weekend. Her performance and choreography in dance films have been showcased by esteemed platforms such as The Dance Current, the Toronto International Short Film Festival, and the Utah Dance Film Festival.
Ming-Bo boasts a diverse and comprehensive educational foundation. She attained an Honours BFA in Theatre Performance Dance from Toronto Metropolitan (Ryerson) University, where she was also chosen as valedictorian. Additionally, she holds a Master’s in Management Innovation and Entrepreneurship from Queens University’s Smith School of Business.
Currently rooted in Tkaronto, Ming-Bo serves as a Dance Faculty member at Sheridan College, a lecturer at TMU, and a contributor to speaking engagements and guest workshops.
More about Ming-Bo Lam
What is your biggest professional achievement?
“Making it through the pandemic and still being connected to my craft. 2020 was the first year that I had an entire year of work booked in advance. I was on track to hit some major goals and was finally recovering from the health challenges that had been holding me back. Then, POOF! Everything was cancelled and I went into hustle mode. Total panic response. Over the next two years, I launched an on-demand dance class platform, filmed over 70 virtual dance classes, was featured in The Kit and Toronto Life, ran six sold-out workshops, led the digital transformation of a Toronto fitness studio, and got a Master in Management Innovation and Entrepreneurship degree, from Queen’s University’s Smith School of Business. Today, I teach at Toronto Metropolitan University and Sheridan College. Making it to this place is my biggest professional achievement so far.”
What obstacles/challenges have you had to face to get to where you are today?
“I struggle with chronic illness, depression, and anxiety. This has meant figuring out how to build a career, in an unforgiving industry, that somehow prioritizes my health and well-being. It’s still something I struggle with daily and am – in many ways – still figuring out. I have also had to grapple with the challenges that come with being a child of an immigrant and choosing to pursue a career in the arts, over something more stable or traditional. There’s a complicated and multi-faceted relationship there which has shaped my grit and resilience, when it comes to following my dance goals. It’s meant I’ve had to fight to pursue my craft and each decision I make in my career carries a lot of weight and consequence.”
What’s something people should know about you?
“I never take my work for granted. It is an honour to share space with my students and play with this craft that I love so deeply! It is am immense privilege to do what I do and I do not take that responsibility lightly.”
JAZ FAIRY J | Dancer, choreographer
City: Toronto
Instagram: @jazfairyj
Previous work: For Coloured Girls, The Brother’s Size, Death And The King’s Horseman, open light
Jaz ‘Fairy J’ Simone is an extraordinary Barbadian-Canadian multi-hyphenate artist, illuminating the creative landscape from her base in Toronto. Commencing her journey in 2007, she has spent the last 15 years crafting a remarkable career as a performance artist, choreographer, movement director, dancer, singer/musician, outside eye/creative mentor, and, more recently, as the visionary proprietor of a handmade skincare small business.
With an impressive repertoire spanning diverse artistic realms, Jaz ‘Fairy J’ has birthed over 30 original dance compositions that have graced stages in Toronto, Montreal, North Bay, Brooklyn NY, Pittsburgh, Seattle, Berlin, Birmingham UK, and Sinop, Turkey. Her choreographic genius has garnered prestigious commissions from esteemed institutions such as Toronto Dance Theatre, the Art Gallery of Ontario, The School of Toronto Dance Theatre, Cawthra Park Secondary School, Dance Immersion, Etobicoke School of the Arts, and the Guelph Contemporary Dance Festival.
A luminary in the truest sense, Jaz ‘Fairy J’ infuses every facet of her artistry with boundless passion and innovation. Her captivating performances and evocative choreography transcend boundaries, inspiring audiences across the globe. A dynamic force, she continues to push artistic frontiers, leaving an indelible mark on the world of creativity.
More about Jaz Fairy J
What is your biggest professional achievement?
“It’s really hard to say. There have been so many I am proud of over the years. One of the most influential achievements I’ve had, is working with Choreographer Kenny Ortega for the film “Rocky Horror Picture Show” in 2016. No Choreographer or colleague had ever made me feel so seen and so necessary in a project ever in my life. Kenny used to choreograph for Michael Jackson and Gene Kelly was his mentor so having the support and affirmation from an artist of his calibre, is something I carried with me ever since. He told me that “if people don’t see your talent, they are blind.”
What obstacles/challenges have you had to face to get to where you are today?
“I have experienced a lot of rejection; a lot. When I first started my career I would reach out to established choreographers in my city to be mentored and to learn. I was blatantly ignored by several artists that I had looked up to and wanted to learn from. I was told by one artist that many of my colleagues and I looked up to, that “you are trying to do too many things. You cannot be a Mother, Choreographer and Artistic Director” It was crushing for me as a young mother and budding artist to be told I was not capable of doing what I had set out to do. I found out years later that this artist had been racist to friends of mine that studied with her in school. I took this rejection and unsupportive energy to heart for a long time but I also used it to fuel me; to prove everyone who rejected and doubted me wrong. I had to find a way to fulfill my purpose and I will work on this until I am not working anymore. In addition to this, dance work is not regulated by a union, so getting mistreated and underpaid have been an all too familiar experience throughout the years as well. It hasn’t been easy, but it has been worth the journey.”
What’s something people should know about you?
“I’m a Fairy. A light worker. My work and what I do is as much for the collective as it is for me. I am here to help raise vibrations and pour good energy into the world through my life work as an artist.”
AMANDA MAY | Dancer, choreographer
City: Toronto/Los Angeles
Instagram: @amvndamay
Previous work: Rihanna, Missy Elliott, Doja Cat, Jessie Reyez, Khalid
Amanda-May is a star on the rise. Born and raised in Toronto, Amanda May started out as a self-taught dancer before beginning formal dance training at the age of 14, joining DOAHL Dance Academy, a dance school founded by Greg and Charlene Hines, original members of Do Dat Entertainment,
Her deep love for music and dance led her to immerse herself in the world of movement, watching and learning from her idols, including legendary figures like Janet Jackson, Michael Jackson, Aaliyah, Missy Elliott, and Ciara.
Her journey continued as she enrolled in the Arts York Drama Program at Unionville High School with a focus on jazz and contemporary dance.
After attending The Pulse On Tour Convention, Amanda won the prestigious Elite Protégé scholarship affording her the opportunity to tour and train under internationally recognized choreographers such as Brian Friedman, Gil Duldulao, and Tessandra Chavez.
The 15th Anniversary Monsters of Hip Hop Show, directed by Rhapsody James then afforded her the opportunity to collaborate with industry giants like JaQuel Knight, Parris Goebel, and Luther Brown.
This led to her appearing on the small screen in works such as Heartbeats, Disney’s Zombies, and The Next Step showcase her versatility as a performer and dancing with the likes of Missy Elliott, Janet Jackson, Khalid, Nonso Amadi, and Jessie Reyez, as well as partnerships with brands like Nike and Roots.
Amanda May‘s journey extends beyond the spotlight to her work as a choreographer. Her creations can be experienced in shows like Make It Pop, Utopia Falls, Grand Army and Y: The Last Man. Her role as an Associate Choreographer for Disney’s Emmy-winning film Sneakerella and as Assistant Choreographer for the Netflix adaptation of 13: The Musical further highlights her creative prowess.
More about Amanda May
What is your biggest professional achievement?
“Definitely being on an Emmy-winning choreography team. In 2020, we filmed Disney’s Sneakerella, a modern day take on the classic Cinderella story. It was such a massive experience, being the first major dance production in Toronto during lockdown and with a cast so large, it was definitely a huge learning curve for all of us. I’m grateful for it because it shaped me constantly. I was stretched creatively, emotionally and physically (I was associate choreographer and one of the core dancers) and am so much stronger as an artist because of it. The moment revived our community and brought me back to why I love and cherish what we do as movement artists. The energy was always electric and we really strengthened, uplifted and held each other down in and outside of the work during that time. To see it so well-received and then acknowledged at the Emmy’s was the cherry on top of an already rewarding experience. I’ll cherish it forever.”
What obstacles/challenges have you had to face to get to where you are today?
“Artistry in general, is a pursuit of self. I think one of the biggest challenges I continue to face is pace, as a result of the intimacy I share with my craft. The ebbs of my relationship to dance reflect the ebbs of my self journey and sometimes it can be difficult to maintain a consistency or a productivity that the world desires of you when life outside of the work is calling for you to slow down. Everything is always pressured to be urgent. I believe I’ll always be in the pull and tug of finding that balance as I am constantly changing, but I look forward to the inner peace I can feel coming and it encourages me to continue this work with myself and my needs at the centre, rather than the desires of my audience. One thing that I’ve also struggled with is external perceptions of me. People tend to project what they want to believe about a person depending on how they’ve become relevant to them. Because I have a visibility surrounding my work, people often make the assumption that they know who I am based on how they receive the work I do. They feel entitled to me and if i don’t fulfill their expectation of whatever they see in me, or perhaps distance myself, reminding them that their perception of me is a reflection of them, whether I align with it or not, it can feel like I’m doing something “to” them. I’ve many times been a mirror in soulful, nourishing, feel-good ways and I’ve also been a mirror in disruptive ways. I used to internalize that, sometimes resent it, but I now see it as simply existing in my truth as an artist… as a vessel, stimulating thought, questioning, connection to what is deeper. To have access to that which is God-given, so much that it brings one closer to themselves, is a blessing and I hold the responsibility of it with reverence and humility. I know that I have a voice, but I also recognize that I am merely being used by what is divine to connect people to themselves and each other. I’m also just having a good time, and that, in its simplicity, encourages me to shed the heavy weight of perception whenever I need to.”
What’s something people should know about you?
“I’m a believer in God, the power of my ancestry, in radical love and disruption. I believe in softness as an act of resistance and I believe in divine rage. I am spirit and I am human. I am silly and I’m going with the flow. I believe I am as infinite as I am a tiny, humble piece of a larger mystery. I am everything and I know nothing. I feel deeply. I love hard. I make messes and I give myself grace as I heal. I’m ending cycles and I am finding rest. I am you, you are me, and I’ll bet on us every time.”
ESIE MENSAH | Dancer | Choreographer, director, dancer, movement director, educator
City: Hamilton/Toronto
Instagram: @esiemensah
Previous work: “Shades”, “Serving Elizabeth”, “Treemonisha: A Musical Reimagining”, “The Call”, “Ma Rainey’s Black Bottom”
Esie Mensah stands as a remarkable force in the world of performing arts, an award-winning choreographer, director, dancer, movement director, educator, and TEDx speaker. With a multifaceted career that spans across genres and mediums, Mensah’s contributions have left an indelible mark on the global stage.
As a proud member of the Canadian Guild of Stage Directors and Choreographers, Mensah’s prowess as an artist has earned her widespread recognition and accolades. Her creative brilliance has been acknowledged with two Dora nominations, a testament to her exceptional talent and dedication.
Mensah’s artistic journey has woven her into the fabric of iconic projects and collaborations. She has graced the world’s most illustrious stages and worked alongside megastars like Rihanna, Drake, Janelle Monae, Nelly Furtado, and Arcade Fire, infusing her unique dance touch into their performances. Her artistic vision has also resonated with historic brands such as Holt Renfrew, Coca-Cola, TIFF, Art Gallery of Ontario, and the Toronto Raptors, underscoring her ability to seamlessly blend movement with storytelling and branding.
Her imprint can be felt in acclaimed productions like “Russian Play,” “Victory,” and “Farmers’ Revolt” at the prestigious Shaw Festival. Her contributions extend to Soulpepper’s “Ma Rainey’s Black Bottom,” Musical Stage/Obsidian’s “Dixon Road,” Canadian Stage’s “New Monuments,” and Theatre Aquarius’ “Serving Elizabeth.” In each endeavor, Mensah’s artistry breathes life into narratives, adding layers of emotion and depth to the storytelling.
Her original creations stand as a testament to her innovation and artistry. Works like “ZAYO”, the Dora-nominated “Shades”, and her foray into the world of film with “A Revolution of Love” and “TESSEL” underscore her boundless creativity and versatility.
Mensah’s influence has even reached the hallowed halls of Canada’s National Ballet School. She was commissioned for the groundbreaking Assemblée International” collaborating with Robert Binet to co-choreograph the world premiere of “The Call”, This Afrofusion and Ballet masterpiece showcased her ability to bridge diverse movement styles, creating an unforgettable experience for both local and international students.
One of her standout achievements was her role as the choreographer for “Scott Joplin’s Treemonisha: A Musical Reimagining”, presented by TOLive, the Luminato Festival, and Volcano Theatre. This production exemplified Mensah’s ability to breathe new life into classics, infusing them with her distinctive artistic vision.
In the tapestry of the performing arts, Esie Mensah‘s name shines brightly, her contributions forever etched in the annals of creativity and expression. As a choreographer, director, dancer, and educator, her impact radiates far beyond the stage, inspiring generations to come.
More about Esie Mensah
What is your biggest professional achievement?
“My two biggest professional achievements would be choreographing for Scott Joplin’s historic opera Treemonisha: A Musical Reimagining which took place this year. The second one would be delivering my first TEDx talk in 2019.”
What obstacles/challenges have you had to face to get to where you are today?
“The biggest challenge that I had to face was my willingness to persevere. I navigated a lot of doubt due to the challenges that I went through in my career like I was told that I was too dark to be casted in performance opportunities. Many doors closed but my talent would be the reason why some remained open. I knew this wasn’t the career I had dreamed of when I was younger. My spirit recognized that these obstacles could not be the end but a new beginning. I had to learn to dig deep within myself to fight for the vision that I felt inside. New pathways began to open and more obstacles arose however as the situations became clearer I knew I had what it would take to make my dreams become reality. What I am standing on now is in direct relationship to what I worked to overcome. It was not easy but it molded me to carve out a path that is a true reflection of my authentic self.”
What’s something people should know about you?
“That I am a silly person at heart. I love to laugh and be around good company. Family and close friends mean the world to me.”
NATASHA POWELL | Dancer, choreographer, educator
City: Toronto
Instagram: @hollajazz
Previous work: “FLOOR’D”, “The Clark Sisters: The First Ladies of Gospel”, Nat King Cole jazz tribute
Hailing from Toronto, Natasha Powell has dedicated two decades to the world of dance, leaving an indelible mark with her unique and soulful approach to movement. Her artistic footprint extends across various mediums, from her captivating performances to her thought-provoking choreography and empowering teachings.
With her roots in a vibrant Caribbean household, dance has been an integral part of Natasha’s life from an early age. Infusing every step with a touch of her cultural flair, her prowess as a dancer has graced both film and television. Audiences may recognize her from notable appearances on the HBO Series The L Word and the Nickelodeon movie Spectacular! among others, not to mention her role in Centre Stage 2. Natasha’s choreographic finesse and guidance have also illuminated the Lifetime biopic The Clark Sisters: The First Ladies of Gospel, as well as the choreography for the Visual Jazz Album Tribute to Nat King Cole by the talented jazz artist Ori Dagan.
A seasoned presence on the stage, Natasha has masterminded over 20 distinct dance compositions for live performances. Notably, she recently contributed her choreographic brilliance to Canadian Stage productions like “Choir Boy” and “Fall on Your Knees”. As the founder, artistic director, and choreographer of her brainchild, HOLLA JAZZ, Natasha gave life to the award-winning production “FLOOR’D”. This groundbreaking show reimagined historical jazz dances, earning four Dora Mavor Moore Award nominations, including recognition for Outstanding Original Choreography and Outstanding Production. The production also secured the title of Outstanding Performance by an Ensemble and was lauded as one of the top 10 dance shows of the past decade by NOW Magazine.
Inspired by the rich tapestry of social dances like jazz, hip hop, and house, Natasha’s passion resonates through her role as an influential dance educator. She conducts classes and workshops across Toronto and Canada, nurturing individuals in discovering their unique rhythms, unlocking their potential, and experiencing the sheer joy of movement.
Natasha’s prowess extends to the realm of producing live dance performances. Prior to orchestrating her own acclaimed production “FLOOR’D”, she contributed her expertise to the Dance Umbrella of Ontario as the Manager of Producing and Administration. Natasha also gleaned invaluable insights during her time as the Metcalf Foundation Arts Management Intern with Peggy Baker Dance Projects and Volcano Theatre.
A graduate of George Brown College, Natasha holds a Diploma in Business Administration Accounting. Her journey continues as she remains steadfast in sharing her profound love for dance, wearing the hats of choreographer, teacher, and producer with unwavering dedication.
More about Natasha Powell
What is your biggest professional achievement?
“Founding and directing my company, Holla Jazz.”
What obstacles/challenges have you had to face to get to where you are today?
“There have been a few. I suffered a major knee injury that had me questioning whether I could continue in this field. But I’ve continued to do so. Being a mother and an artist poses many challenges as well, but it’s a journey and every day looks different.”
What’s something people should know about you?
“I’m an introvert!”
SEANNA BAILEY | Dancer, choreographer, and creative director
City: Lantz, Nova Scotia/Toronto
Instagram: @seanna_bailey
Previous work: Shahidi, Erlebnisse, Two Birds On A Wire (film), Woman In Song, View Dance Challenge, CDX
Seanna Bailey emerges as a dynamic force in the world of artistry, crafting her creations with an unparalleled perspective. Her creative essence thrives on the profound interplay of mind, body, and soul, which she masterfully weaves into her dance and artistic endeavors.
Originating from the serene landscapes of Lantz, Nova Scotia, Seanna’s journey began with a deep-rooted passion for dance, nurtured through diverse training in various styles. As she progressed along her chosen path, a myriad of doors swung open, ushering in a realm of opportunities waiting to be explored. Her hunger for growth and excellence propelled her across continents, leading her to Los Angeles, where she engaged in transformative training under the aegis of BeDiscovered and the Choreographers Carnival. In Greece, she embraced the artistry of movement through the View Dance Challenge, amplifying her journey with impactful performance opportunities.
Seanna’s evolution as an artist has guided her to a new horizon, where she flourishes in Toronto’s vibrant artistic scene. With an eclectic blend of knowledge amassed over the years and an unwavering ardor for her craft, she has graced the stage as a member of Inhayle Dance Company, a torchbearer of Urban Contemporary expression under the guidance of Hayley Payone.
Currently, Seanna’s artistic journey takes her down a path of imparting her wisdom and creativity as a distinguished faculty member at City Dance Corps. Through the avenue of Contemporary Fusion movement, she facilitates a transference of knowledge, nurturing the talents of aspiring dancers. However, her own creative fire continues to burn brightly, as she undertakes the roles of choreographer, dancer, and artistic director for innovative works across Toronto. A beacon of change, Seanna is committed to cultivating opportunities that empower Black dancers and elevate their voices within the artistic sphere.
Seanna Bailey remains resolute in her pursuit of pushing the boundaries of dance. Her recently credits include Shahidi, Erlebnisse, Two Birds On A Wire (film), Woman In Song, View Dance Challenge, CDX. With an intricate stylistic finesse and a visionary outlook, she unfailingly aims to revolutionize the dance landscape, leaving an indelible mark on its ever-evolving canvas.
More about Seanna Bailey
What is your biggest professional achievement?
“As silly as this sounds, I would have to say my whole journey this far has been my biggest achievement. But if I had to name a few big wins it would have to be, becoming faculty with View Dance Challenge for their touring conventions (I used to compete at their competitions, definitely a full circle moment), as well as elevating and expanding the Contemporary Fusion scene by becoming faculty at City Dance Corps.”
What obstacles/challenges have you had to face to get to where you are today?
“This is a strange question, as in retrospect everything feels both massive and small. There is an assorted platter of community, family, mental health, physical, and personal life challenges that punctuate our history – the hope is that we move with the current and are able to rise above it and through it with every passing year. Obviously, the entertainment industry itself has massive obstacles and restrictions for artists to exist and create authentically, we feel the push and pull of those forces too.”
What’s something people should know about you?
“I am a Black Dancer, Choreographer, Teacher and Creative Director pushing the boundaries for Contemporary dance as well as continuously aiming to create community and opportunity for other Black artists. There may or may not be a training/performance company created specifically for Black Contemporary dancers, currently in the works…”
SHAMEKA BLAKE | Dancer, choreography, artistic director
City: Toronto
Instagram: @aimtoronto
Previous work: “Black in Canada”, Association for the Performing Arts Presenters (APAP) Convention in New York City, Roots Canada, The Toronto Symphony Orchestra, Yensa, Dusk Dances, Dance Ontario Dance Weekend, TIFF and Pride
Shameka Blake, a born creator, has channeled her intrinsic desire to craft powerful narratives. With an unyielding dedication to illuminating issues of social justice through the lenses of culture, gender, and ethnicity, her artistic journey has been one of purpose and impact. In 2015, her remarkable contributions to the Commercial Industry were honored with the prestigious Black Canadian Award for Best Urban Dance Act.
Shameka’s artistry has graced renowned platforms including the Association for the Performing Arts Presenters (APAP) Convention in New York City, Roots Canada, and The Toronto Symphony Orchestra. She has woven her magic into the fabric of local Toronto festivals such as Yensa, Dusk Dances, Dance Ontario DanceWeekend, TIFF, and Pride.
While her career commenced in the realm of Commercial Dance, Shameka’s evolution as an artist has been profound. Her compelling voice now resonates in the dance/theatre world, echoing themes close to her heart. Recently, she garnered attention at the 33rd IABD International Conference and Festival of Blacks in Dance held in Toronto. Further showcasing her prowess, she is poised to unveil her latest masterpiece, “Black in Canada”, slated for premiere this October at Fringe Next Stage.
Shameka Blake‘s journey encapsulates the transformational power of art, spotlighting important societal dialogues with every graceful step she takes.
More about Shameka Blake
What is your biggest professional achievement?
“I am deeply passionate about teaching and mentoring youth. I pride myself in creating a safe and supportive environment for my students to thrive and ultimately flourish into the artists they were meant to become. As a mentor, I am always mindful of including others. I believe in the importance of passing on knowledge, while also learning from the next generation of artists. The sharing of artistic information is vital in establishing strategies for stability and longevity. My understanding is that dance can and should be used as a tool for expression, reverence, self awareness and balance. To see students who I taught when they were as young as four years old, now enter and thrive in the dance industry is the most spectacular gift.”
What obstacles/challenges have you had to face to get to where you are today?
“A career path in the artistic industry is met with true realities, two of which being the importance of representation as well as keeping balance with artistic endeavors.”
What’s something people should know about you?
“Everything I do, I do with love. I strive to instill in students the importance of challenge and to embrace the inevitable growth it invites if you allow it. In order to facilitate this I create a space that pushes the individuals within it, while keeping them safe. In this, everything I do, is done with love.”
LISA LA TOUCHE | Tap dancer
City: Calgary/New York
Instagram: @lisalatouche
Previous work: “Shuffle Along” on Broadway, Tap Dance Legacy Concert, 70th Annual Tony Awards, and Amazon Original “Z”, Stepz, TRAX
Lisa La Touche, a dynamic artist hailing proudly from both Canada and New York, is a luminary in the world of dance and performance. Renowned for her exceptional talent, Lisa’s journey has been punctuated by remarkable achievements.
An integral member of Broadway’s groundbreaking production “Shuffle Along”, choreographed by Savion Glover and directed by George C. Wolfe, Lisa’s brilliance earned her accolades including the Fred Astaire Award and the Actor’s Equity Award for Outstanding Broadway Chorus. This was merely the prelude to her ongoing success.
Lisa’s artistry transcends stages and screens. From her electrifying appearances at Harlem’s iconic Cotton Club alongside Dormeshia Sumbry, to her contributions in the Off-Broadway and North American touring casts of STOMP, her footprint in entertainment is indelible. She’s graced the illustrious Tony Awards stage and enriched Amazon’s “Z, The Beginning of Everything”.
A paragon of versatility, Lisa established her own performance company, Tap Phonics, captivating audiences worldwide. Her pedagogical prowess shines through as she imparts wisdom to eager minds at institutions like PACE University and the University of Calgary. Lisa’s commitment to preserving tap’s heritage is evident in her co-curation of the Tap Dance Legacy Series, fostering cultural appreciation.
Lisa’s creative reach extends beyond performance. She ventured into filmmaking with her debut documentary TRAX, which chronicles her journey back to Alberta while unearthing local black history. Amidst all her accomplishments, Lisa treasures her role as a mother, a testament to her boundless inspiration.
More about Lisa La Touche
What is your biggest professional achievement?
“Performing in Shuffle Along on Broadway. Yes, sure, it was “Broadway”… but for me, it was spending 2 years learning and embodying the Black pioneers on Broadway from 1921 who were mostly forgotten about and bringing that history back in the lime light. Nevertheless, I got to do this with the Direction of George C. Wolfe and with Savion Glover as our choreographer and shared the stage and experience with Audra McDonald and Billy Porter among other incredible and iconic artists. That show changed my life.”
What obstacles/challenges have you had to face to get to where you are today?
“Being an Artist can be challenging… the lifestyle and the stigma. Now add the fact that my artistry is Tap Dance. It can be hard to wrap ones brain around making a living from Tap Dancing. But the doors keep opening!! I’d say that the biggest challenge I’ve experienced as a Tap Dancer is simply pushing through what the outside world things it is. This art form is so hip and so sacred and VERY sophisticated. It ain’t goin anywhere… I just can’t anymore with “isn’t that a dying art form”… the lack of consciousness can be frustrating and tiring. But the fun is in simply exposing everyone to it. Everyone loves Tap Dance!! They just gotta see it!”
What’s something people should know about you?
“I’m a mom :). And it’s my favorite role in the world. I learn more and more that we are borrowing this precious earth from our children. Caring for them means doing our part in ushering a little more kindness, reverence, and safety within our immediate environments. It’s taught me so much on the importance of advocating for genuine and sincere inclusivity and demonstrating a sprit of compassion. And as an artist… it’s deepened what I have to express and made my time that I spend with my art that much more sacred.”
FLY LADY DI | Multi-disciplinary artist, choreographer, dancer
City: Toronto
Instagram: @flyladydi
Previous work: MMVAs with Jason Derulo, Honey with Jessica Alba, MC Lyte, Pharrell, the Clipse, Ciara, Fall Out Boy, Fabolous
Diana Reyes, also known as Fly Lady Di (she/her), is a Toronto-born multi-disciplinary artist celebrated for her dynamic contributions as a street dance artist and DJ. Rooted in her Filipino heritage, Diana seamlessly merges ancestral traditions with contemporary artistic expressions, manifesting through captivating dance choreography, innovative performance art, and witty joke crafting.
Diana’s creative journey has garnered international recognition, with notable highlights including her involvement in projects like Honey (Universal) and Fall Out Boy‘s iconic ‘Dance Dance’ music video. Her magnetic stage presence has led her to collaborate with illustrious names such as Ciara, Jason Derulo, Pharrell’s Clipse, MC Lyte, and BlackSTREET, amplifying her influence on the global entertainment scene.
Media platforms from etalk to Dance Current, Toronto Life to Toronto Star, have all showcased Diana’s remarkable talent, underscoring her profound impact on both North American and international artistic landscapes. Her artistry knows no bounds, spanning continents from Europe to Asia and South America, powered by the support of federal, provincial, and municipal arts institutions.
With an unwavering commitment to her craft, Diana Reyes continues to expand her horizons. Her exploration of pre-colonial Filipino culture promises to infuse her work with newfound depth and resonance. As she delves into this transformative journey, her dual residence in Montreal and Toronto serves as a testament to her enduring connection to her roots.
More about Fly Lady Di
What is your biggest professional achievement?
“Dancing at the MMVAs is a lot of Canadian dancers’ dreams and I realized that dream with Jason Derulo. I worked with a lot of artists from MC Lyte, Pharrell, the Clipse, Ciara, Fall Out Boy, Fabolous, Tweet and countless others and was in the movie Honey with Jessica Alba.”
What obstacles/challenges have you had to face to get to where you are today?
“Not being American, not having technical training, feeling strangely in the middle not being White, or Black, feeling like I don’t belong. Also not having financial stability was rough but once I decided I wasn’t going to be a broke artist, everything changed.”
What’s something people should know about you?
“That I’m actually a really quiet person and I’m very serious most of the time. I may seem like a really outgoing, social person but deep down I’m a quiet loner who likes to read and write.”
LIANA LEWIS aka PETRA QUEEN OF THE NILE | Dancer, singer, actor
City: Calgary/Toronto
Instagram: @lianalewis
Previous work: Becoming Burlesque, Skins, Free Up! Emancipation Day
Liana Lewis, a Canadian performer hailing from Calgary, Alberta, embodies the essence of artistic expression. From a young age, Liana’s journey into the world of arts commenced with piano lessons at the tender age of three, under the tutelage of the esteemed non-profit institution, The Suzuki Talent Education Society in Calgary. Infused with the Suzuki method’s ethos of fostering not just musical proficiency but also character virtues such as perseverance, patience, and respect, Liana’s passion flourished.
Her ardor for the arts evolved to encompass diverse forms. At six, Liana’s exploration of dance was ignited at Premiere Dance Academy, where she embraced Jazz, Ballet (RAD), Tap, and Modern disciplines. Excelling in regional competitions showcased her remarkable dedication and skill. Yet, Liana’s talents stretched further – her love for singing and acting was equally profound.
Following high school, Liana embarked on a journey to Toronto, propelled by her aspiration to become a Triple Threat Performer. Auditioning and enrolling at the Randolph Academy for the Performing Arts, she honed her talents in acting, singing, and dance over a rigorous two-year program. Toronto’s prominent choreographers soon recognized her talents, granting her opportunities to grace stages across the nation.
Over the past decade, Liana has carved a niche in the realm of Burlesque, adopting the captivating persona of Petra Queen of the Nile. Beyond her stage presence, she champions body empowerment as a movement instructor, offering healing through dance and inspiring individuals to embrace their authentic selves with every confident step.
Liana Lewis stands as a testament to the transformative power of art, a Canadian luminary captivating hearts and minds through her multidimensional performances and empowering presence.
More about Liana Lewis
What is your biggest professional achievement?
“Getting personally casted by Lee Daniels and working with Eboni Nichols. This happened at a time when I was taking a break from performing and started focusing my energy on myself. My part didn’t make into the movie, that happens a lot in film/tv where things don’t go pass the cutting room floor. The experience of getting work with two people who’s work I admire, having a dream become my reality will forever hold a special place in my heart.”
What obstacles/challenges have you had to face to get to where you are today?
“Being a woman of color and being in the industry that I’m in where there’s more rejections, I’ve been told my looks are not desirable, only casted as stereotypical things. I’ve been fetishizes, treated like a sexual object. I’m either not Black enough, my body is thick and all though I am a on the lighter side I’m not the right person of color. Constantly having to work that much harder to prove that you cannot deny that I am best person for the job.”
What’s something people should know about you?
“I am Bajan – Canadian, my dads from Barbados and from my mom side I come from a strong Canadian lineage of trailblazers. My Caribbean heritage is very important me and as of late it has taken the forefront on how I want express myself artistically. I’m in the process of developing my own one women show, telling my story through dance. I also really love to write, I want to start creating my own TV shows that showcase more diversity where someone like me can be lead. Issa Rae’s show “Insecure” was the first time I felt watching something that I can see myself and really relate to the characters. I love inspiring people to be unapologetically themselves, in world where you can feel unseen or just not worthy the most powerful you can do is be YOU so loudly, take up space because it matters.”
If there are other Canadian women of colour in dance we should know about, let us know!
Innovators & Icons is a presented by the National Arts Centre in partnership with SHIFTER
